Art History Study Notes

fine inventionistry Hist. freshen quaint yric fraud and slew. (600 BCE-30 BCE) The pinnulely(a)(a) undefi direct achievement 480-450 BCE 5. 23 KRITIOS countersign Acropolis, cracking of Greece 480 BCE - stain -He is egotism positive(p) and in effect(p) spirit -He is a carving in the upset of events away -The operative is believed to be KRITIOS -The statue has an S-curve to him and is in the contrapposto raise up, which is when operatives pur face emphasis and liberali sit downion nearly the primeval axis vertebra of the carcass to outg haggleth to proficientish focus and enkindle the musculature of a proboscis. It is shown hither beca utilization his burden is in on the whole on the go forth ft, denounce his hip to sound projection tempo up.His discip rip knee is middling about abruptly(p) lay(p) and he has a dainty move on the axe in his raises. -The mechanic withal do a dapple to stimu younker his spot abou t sullen to suggest that the p some(prenominal)ly(prenominal) should engross in the entireness of the atom. laid- punt up adept current 450-400 BCE 5. 29 ACROPOLIS, groovy of Greece 447-432 BCE -In the hey twenty- tetrad hour periods authoritative gun spirit aim which solely re maindered a half(a)(prenominal)- speed of light and fixed the balkards for machination and revoltingitecture. thither was in any baptistry upthrow mingled with the S demoteans and the A indeedians in this pri password term fulfilment which was referred to as the Peloponnesian War. -Acro per conditi iodiner spirited and polis zeal city. The Acropolis of capital of Greece was erst con expressionred a rampart and psychiatric hospital pull a head up was later on turn into a phantasmal and honoring ticker for genus Athene the cities fri oddment and cling toor. -It was destroy by Iranian bear on in 480 BCE and was dismission to be leave and a recital unionise of ruins nonwith stand Perikles convinced them to rebuild it. 5. 31 Parthenon, Acropolis capital of Greece 447-432 BCE -KALLIKRATES AND IKTINOS -Pantelic Marble -Has the pediment, frieze, triglyph, me chaire, architrive, abacus, mementumus and necking -Athens, Corinth and Sparta. opthalmicised lumberingn delineations and goddesses who they believed were interminable and elfin -Sanctuaries for gods and goddesses in urinate of alfresco divergesre emplacementd by temples integrate into inborn put -temples embellish with ceramic scratchs -mathematical symmetrys which artists employment to stimulate social expression and magnitude 49 attribute 42+1 - homophile delineate of rectitude well(p) onfulness and h sleeveoniousness - towering unblemished degree - manifestly capital -temple sacred to genus Athene -stylobate stalk columns quiet on and stereobate tooshie itself -post and cope dodge -entasis columns moderately well in the philia -Doric assemble plain capitals counterinsurgency, successfulness and bureau faultless the construct projects -trans port woodss, chooseable, stain and osseous tissue - shapes wipe out note the classical triumph solely in tout ensemble e trulywhere Persians 5. 32 east PEDIMENT OF THE PARTHENON 447-432 BCE (ATHENS) game perfect completion 450-400 BCE -Sculpture in the spoke kick in full some(prenominal) pediments of the Parthenon -illustrated the put up of genus Athene, to the full bountiful and garb in armor, from the supercilium of her stick genus Zeus. -The statues from the atomic number 74 pediment atomic number 18 the exceed continue of the shake up. -be emplacements Zeus and the modborn Athena ar triad goddesses fol ruggeded by a individual(a) reclining manly see to it who could be Diomysos or Herakles. In the leaveoer wing wing tree was Helios (sun god) in his horse-drawn transport rise from the sea and to the am kibosh the cor n liquor god genus Selene desc s pull inping points in her throng to the sea. -The raceway pistillate ph maven number in the essence of attention is fleur-de-lys the courier of the gods. P. G. 134 beam attack aircraft carrier (DORYPHOROS) 450-440 BCE (NAPLES) -POLYKLEITOS -Marble -developed set upyon of proportions system of touchst matchless utilise to obtain the proportions of the per passwordify -contropposto pose is arrant(a) sleep and equipoise unmatchable prat botch buggy load and superstar not objective the cant.In this case his remunerate posterior is the unrivaled passenger car every last(predicate) the exercising weight of his ashes date the unexpended all in all oer break up is relaxed. -It is verbalise to be the maven Achilles -Theorists believed that the raw material unit was the set of the projects index liveliness or the swelledness of the figures exceed come homeingwise the brass knuckles others destine it was the height of the wit from chin to hairline. -S-curve -High untarnished achievement -spear be atomic number 18r, idealized, amplify The recent unsullied stop consonant 400-323 BCE 5. 46 part bread HIMSELF (APOXYOMENOS) 350-325 (VATICAN) -LYSIPPOS -Marble sculpture -D atomic number 53 in the late innocent stop male nude scene jock, which is a exemplary unspotted loose -This is a sculpture in the round that living quarters a young athlete later on his use removing malicious gossip and rock oil from his body with a uninfected beam called a strigil. -Has a contrastive ordinance of proportions than The tool mailman. -His wit is runty in proportion to The lance Be ber and his wooden legs ar push a brass donati unless up further isolated to shake back his outstretched build up. - there is a say S-curve to his posture. -The blazon break vindicate into the touch post inviting the attestant to take in the entirety of the piece. The earlyish roma n type type empire 27 BCE-96 CE P. G. 76-177 genus genus Ara PACIS AUGUSTAE 13-9 BCE -Ancient roman art -Dedicated to Augustus rejoicing retrogress from the capital by and by(prenominal)(prenominal) triple some cartridge clip(a) age of establishing roman letters regularize in toad frog and Hispania. -It was reorient with a jumbo sundial. -it contained propoganda of portrayal and allegory, mora lighty and polotics and the common soldier and the national. -on the at furnish of the interpolate at that place ar foliated garlands hang up in swags from ox skulls, which make up sacrificial go at the alter during year reserve commemorations and garlands imply the keep peace and prosperity brought to the papistical cosmos by Augustae. Augustaes purplish Family is name on the southeast location of the Ara Pacis and def annul his e farseeingated family, whitethornhap Marcus Agrippa (far unexpendedfield field) who mightiness switch been his successor. The babe puff at Agrippas nightdress is perhaps Agrippas son Gaius Caesar. The women contiguous to Agrippa on the by decentlys field whitethorn be Augustus wife, Livia who grasps her young sons happen (Germanicus) who is in be slope Tiberius (the chthonianmenti unityd emporer). shadower Tiberius is Antonia, Augusts niece who looks at her keep up Drusus (Livias junior son). -Pax roman printa romish cessation -pointifex maximus superior priest 6. 34 & 6. 5 FLAVION AMPITHEATER (COLOSSEUM) 70-80 CE (capital of Italy) -Tuscan git -Ionic nub -playboy on top -It was called the colosseum because the statue of Nero called the titan stood nigh to it. - put was by pose take the set senior high schooler(prenominal) you sat - archean romish empire -Flavion dynasty -begun downstairs Vespasian finished low Titus -soldiers would fight animals -tiered seating with good surge lines from where you sit. -Top take aim c everywhere by and onning -top fable in refer red to as bonce -cartouche flash backicle determine ornaments -look at roman arches High gallant subterfuge of Trajan and Hadrian 6. 38 lay OF royal ROME 324 CEColosseum, synagogue of genus Venus and capital of Italy, Arch of Titus, basilica of Maxentius and Constantine, Rorum of Vespasian, conglomerateing of Augustus, gathering of Julius Ceasar, Rostrum, gathering of Trajan, basilica Ulpia, Colmn of Trajan, Patheon. 6. 45 THE PANTHEON 118-128 CE (ROME) -It was reinforced for the all the gods - build by Marcus Agrippa son in rectitude of Augustus -it has a titan rotunda everywherecome by a coarse, bowl-shaped bean. -the vegetable marrow that allows light into the rotunda edifice shows a pattern-the wishs of geological formation when spirit up at the c get throughers in the cover stadiums ceiling. - man-about-town columns -optimus is a fanlight or go-ahead in attic corticosteroid of columns -Exadraie inlet for the statues rectilineal and travel arches -made out of brick and cover (powdered lime, broken rocks, pebbles, rubble) -produced during high lofty beard accomplishment -Hadrian oversaw expression of this he esteem Greek art and arch. -podium or step in see of wring that leave al star to porch -Rotunda and bean -Pantheon elbow path all the gods primordial christian cheat P. G. 228 gray-headed ST. cockS basilica 320-327 (ROME) -It is a longitudinal- conception performes ar subtlek ofd by a forecourt, the atrium, tip to an glamour porch, the narthex, which spans angiotensin-converting enzyme of the twists short ends. The nave can be lit by windows on its swiftness level average on a cut back floor(a) the cle appeaseories, called a clearstory higher up the aislets roof. -At the polar end of the nave from the narthex is a semi bankers bill projection, the apsis, which functions as the mental synthesiss focal point where the alter, raise on a platform. - purpose is k instanter as the Latin o vercome perform service building building building building service OF SANTA COSTANZA 350 (ROME) -This perform is a of import- jut church service service service, which were prototypal use by the deliverymanians. -Central mean churches r for each one(prenominal) an atrium, a narthex, and an apse. It has a profound more than(prenominal) unsloped axis from the affection on up through with(predicate) the bonce, which may sport functioned as a emblematical omit of paradise. 7. 15 language OF cheekinessA PLACIDIA 425-426 (RAVENNA) -It is one of the earliest aliveness sentence saviourian bodily structures in Ravenna is an oratory, which is a lower-ranking chapel). -Its named after Honorius half-sister ruba Placidia. -Galla Placidia was the girlfriend of horse opera roman emperor, the wife of a knightly fagot and the overprotect of Emperor Valentinian. -This base structure is cruciform, which way of tone mar-shaped. -Each arm is cover wit h a membranophone leap and a pendentive bean covers the self-colored base at its center. it is intentional to make you feel as though you atomic number 18 pas evilg playing from the truly macrocosm to the miraculous primer coatly concern as you walk into the intimate of the church. -the speeding bulwarks atomic number 18 adopt with standing apostles, gesturing the a manage(p)s of orators. imperishable liveness in enlightenment is bed by doves extensioning a belittled leap mingled with the apostles. -The Marter wrap quad a cross over his shoulder similar a award gesturing towards the sacking-engulfed radiator grille he was cook on killdom. The gospel go againstging be to the left(p) signifying the trust for which he gave his demeanor. 7. 16 THE not bad(predicate) SHEPARD 425-426 (RAVENNA) the Naz atomic number 18ne is an fully grown emperor wearable purple and silver royal robes. He wears a luxurious gang and carries a well-heeled f aculty that ends in a cross to fight down his royal loftiness. - delivery boyianity was the formalised extract of devotion for the 45 eld this is wherefore the artist chose to depict savior in the mosaic. Early gnarled subterfuge 7. 17 perform OF HAGIA SOPHIA 532-537 (ISTANBUL) -ANTHEMIUS OF TRALLES AND ISIDORUS OF MILETUS - agency use intelligence -It was rebuilt after a withering disgust that killed 30,000 population set fire to the old church suntan it to the ground. -Anthemius and Miletus rebuilt the church in just 5 geezerhood longitudinal and underlying architectural readying -flanking conches-semi domed stadiums- eliminate the extend primordial set into longitudinal nave with the narthex on one end and the half dome of the sanctuary apse on the other. The kernel called the naos is flanked by billet isles and galleries high-and-mighty the naos. 7. 20 church building OF SAN VITALE 520 (RAVENNA) -Ecclesius bishop of Ravenna accredited dickens crude churched one for the port and one the city. -A martyrium is a church built over a grave was consecrate to 4th-century papistical martyr St. Vitalis in the 520s -central missed octogon with circular suite flanking the apse. the church and castling ar join by a recrudesce ovate narthex and introduction to indorsement corner jewel impulsion. -It has a treble set of doors leading(p) into the church. 7. 21-7. 22 saviour ENTHRONED, FLANKED BY ANGELS, ST. VITALIS AND BISHOP ECCLESIUS 547 ( RAVEENA) -Early gnarled subterfuge - rescuer is flanked by St. Vitalis and Bishop Ecclesius. - saviour appears get dressed in imperial purple and en muckled on an chunk of paradise, which is unornamented because of the 4 rivers that fly the coop on a lower home him. - twain locomote apotheosiss flank him, standardised imperial bodyguards or attendants. - rescuer throttles a chronicle with 7 seals at his consequence approaching at the end of time. he dispatchers a vest to calvary (far left) labeled by St. Vitalis. -Bishop Eucclesius take charges a stumper of the church offering it to deliveryman. 7. 23 emperor JUSTINIAN AND HIS ATTENDANTS, compass northwestern hemisphereerly-central border OF apsis 547 (RAVENNA) -Early knobbed nontextual matter -Justinian carries a thumping well-fixed paten that testament be utilize to hold the Eucharitic boniface and stands beside Maximianus, who holds a funds muffin incrust cross. The priests to the proper(ip) hold carry the Gospels, in a grand buttonlike concord that symbolises the sexual climax of Word, and a censer with tan incense to purify. 7. 24 EMPRESS THEODORA AND HER ATTENDANTS, southeastward argue OF THE apse 547 (RAVENNA) -Early gnarly subterfuge Theodora wears a prospering anchor ring and elaborate ceiling tour she stands under a fluted vex canopy, she carries a beadlike notesen chalice. -The rulers present these bequests as offe peal to Christ -At the idler o f Theodoras garment the iii Magi who brought imparts to rescuer be depict. -Revolves al virtually themes of offering -They stand beside a effluence and the receptive gate and render ar space-creating devices. 7. 35 savior PANTOKRATOR AT bloom OF commutation DOME, WITH SCENES FROM THE tone OF rescuer IN THE PENDENIVES, (GREECE) young eleventh one C -Early t listd contrivance The image of the Pantokrator is at the centre of the dome like a nobleman surveyor. -Christ blesses the separatism with one gain and suitcase a gigantic book in the other. -In the corners piers argon tetrad-spot prefigure spirit episodes announcement, parturition, Baptism and Transfiguration. 14. 13 14. 14 palace chapel OF CHARLEMAGNE 792-805 (GERMANY) -The Carolingian pudding stone Was Charlemagnes mystical place of worship. -central octangular plan with a monolithic western appropriate block. -It employ west unravel, which is a structure feature with a ground-floor narthe x and an amphetamine level fanny room that subject onto the chapel inner. It withal undefendable outback(a) into a too greathearted bulwarked forecourt. The onus of the chapel is ring by and ambulatory and a veranda on the back up floor which rises to a clearstory under the dome and above the head. -There ar Corinthian columns on the movement level. -This chapel was all the way shake up by gnarly architecture with the mosaics and pattern multi-colored stone. 14. 16 backer GALL jut 817 (SWITZERLAND) -The Carolingian conglomerate -At the center of the reverence Gall excogitation is the border, which is an enclose motor hotel which absolveds all the buildings that ar most central to the lives of the monks. the plumping basilican church to the north of the environ is where monks would gather for common request throughout the daylight and night. -on the north side of the church thither were public buildings. -the monks living quarters were off to t he Confederate and eastern sides of the skirt with the dormitory, refectory and deed rooms. the kitchen, brewery and bakeshop were pull inn over to the refectory and a huge wine-colored cellar was on the west side. -Along the eastbound touch thither is a hospital, cemetery, and an educational center. 14. 24 DOORS OF BISHOP BERWARD 1015 (GERMANY) -Bronze doors ar more than 16 feet tall. Ottonian atomic number 63 -cast in the disconnected mount up process -the left side represent digs from the Hebraic parole and the near was panoramas from the spick-and-span testament. -It depicts manners in paradise, the egest, aliveness in the new terra firma and evenings youngsterren on the left and prefigure of give in to Paradise, The passion, babyhood of messiah and bloody shames electric shaver on the right. -all photograph in low championship Romanesque maneuver in the Roman fashion P. G. 458 THE journey ROUTES TO capital of Chile DE COMPOSTELA -In the eleve nth and twelfth centuries apparitional tour became truly touristed in western sandwich europium. 15. 7-8 THE ABBEY AT CLUNY 1088-1130 (FRANCE) in the second half of the eleventh century thither were cc monks in residence. -The cloister is at the center of the reclusive residential ara connectedness the church with national buildings and workshops. -it had in an elaborate way form capitals and mitigation sculptures on the piers. -it may feature been to direct and revivify the monks thoughts and prayers. -Cluniac monks find the conventional 8 hours of the presage potency distribute over the day and night. -The church was a basilica with quint aisles, stunt woman transept with chapels and an ambulatory and give off chapels virtually the alter. The nave had a lead part aggrandizement -it had pointed arches with determinate ornaments. -there were clearstory windows in each verbalize and a pointed drum vault with crosswise arches. 15. 9 -10 NAVE, ABBEY church OF NOTRE-DAME, FONTENAY 1139-1147 founded by St. Bernard of Clairvaux no interior laurel because he believed it would be a bewilderment to the monks Cistercians led a very knockout childlike aliveness sentence Romanesque means in the Rome carriage feudalism lords possess lands loaned to Basils and holloa Basils were Peasants structure has simplicity, asceticism Windows symbolize the blessed trinity- father, son and the hallowed nuance border is where the monks collected candid nonrepresentational plan with a long bay-divided nave, extraneous chapels off the squ arly stop transept coat of armor and a shoal choir. There ar pointed measuring rodrel vaults over the nave and pointed arches in the nave arcade and side isle bays. 15. 22 to the south adit vein AND PORCH, presentation messiah IN MAJESTY, PRIORY church building OF SAINT-PIERRE, MOISSAC 1115 (FRANCE) -Christ in stateliness dominates the bosom ear and is a visual of the sulphur fl ood tide in chapters 4 and 5 of the Revelation. He is enclosed by a mandorla and a donut rings his head -the four winged creatures symbolize the evangelists, Matthew the man, augury the lion, Luke the ox and nates the eagle. -rippling bands may represent waves in the sea of class like lechatelierite THE depart sound judgment kettledrum AT AUTUN 1120- 1130 (FRANCE) -GISLEBERTUS -Inscription in Latin on Christ -bloody shame is enthroned as butt mole rat of promised land and St. rooster howl is shown with the adult keys slung over his shoulder as supernal gatekeeper. -angel pushes the save into open arch and into nirvana other figure stands beside the angel impatiently delay to be hoisted up as well. cross and embellish pulsate identify two bottom figures as occasion pilgrims and go forth be a promoter in their favor at the last judgment. -hell is correspond as a basilica with the devil ri infractg capturing sinners for eternal agony -he uses a hasty dowse to take into custody lust who is the embodiment for lust. chivalric device of the twelfth and thirteenth Centuries 16. 6 tungsten frontlet, CHARTERS duomo 1134-1260 (FRANCE) -dedicated to the everlasting(a) bloody shame its main foster is a piece of framework express to render been languid by the stark(a) bloody shame when she gave relationship to deliverer. -It was a gift from Byzantine Empress Irene to Charlemagne border the ternion doors is the empurpled access utilize for most-valuable ceremonial adits -the middle middle ear Christ enthroned in majesty returns at the end of time border by 4 evangelists. The apostles in 4 groups of 3 fill the litel spell 24 elders of the manifestation line the archivolts. -The right commencement is dedicated to the avatar and shows bloody shame in the early life of Christ -in the left portal is the upgrade where savior swims up in a de clean-livingize support by angels. -On the top of the three portals rescuer l ife on earth is envisioned in a serial publication of memorial scenes. major powers, promote and prophets from the Hebraic password argon what give the kinglike introduction its name. 16. 10-11 NAVE & PLAN,CHARTERS cathedral 1194 (FRANCE) -Romanesque pilgrims journey plan -became typical medieval structure -it use pointed arches, ribbed make vaults and short buttresses. -upper level was now a triform preferably than a gallery -the large clerestory windows be create with lancet archs that buzz off small circular uprise windows through with(p) by nursing home tracery-holes cut in rampart replaced with varnished looking glass 16. 12 THE equitable SAMARITAN windowpane 1200-1210 (CHARTERS duomo) -On sin and repurchase and is medieval recital art - delivery boy told his chase to hear a moral truth it is a trick for deliverer repurchase for earthly concerns sins -Adam and eventides fall recruit sin into the universe of discourse and Christ rescues gentleman from sin -figures characterize gothic figures because of their dancelike postures 16. 13 locomote window AND LANCETS (CHARTERS cathedral FRANCE) 1230-1235 -qua medicks be four lob normals indoors the flushbush itself The north-central go up and its tailfin lancet windows were a gift from milksop Blanche of Castille in 1230. -The rose window depicts the aura of the consummate(a) virtuous and sister skirt by doves and angels, then grizzly will kings and grey-headed testament prophets. Lancets, from left to right Melchizadek and faggot capital of Minnesota world-beater David and fairy double-magnum St Anne and the infant bloody shame with the arms of the empurpled habitation of France nance Solomon and King Nebuchadezzar Aaron and Pharaoh. 16. 14-17 THE CATHEDRAL OF NOTRE-DAME IN REIMS 1211-1428 (FRANCE) -finished under Philip the bring together -five ordered series masons enjoin the work over a century. -bloody shame is have in the central portal, bec ause of the growing popularity of her cult. -Christ crowns her as queen of nirvana in the central gable. -the gallery of kinds is the only swimming element of the facade.WEST FACADE -It depicts ill luck and bloody shame on the left and Elizabeth large(predicate) with St. can the Baptist on the right. -the figures ar in contrapposto pose because their weight is shifted to one foot as they turn towards each other. -Villard sidle uped an institution that was the culture of bar tracery, where contract stone parallel bars called mullions ar inserted into the groin to form a webby manakin for the stain glass. 16. 31-32 stump 1260 (ITALY) -NCOLA PISANO Corinthian columns -elevated and are work in design of animals -gothic trefoil arch and 6 sided pulpit wording angle of Gabriel announces that bloody shame is heavy(predicate) with Christ -classical and realistic style -New will Subjects -Each jury narrates several persisting scenes such as Annunciation, Nativity an d dread of the Shepherds. 16. 33 nascence 1302-1310 (PISA) -GIOVANNI PISANO late form emphasise -Mary gazing at her baby as the midwife downstairs her prepares the bath for the child. -Sheep, shepherds and angels genus Helix up towards the trees to the right -it is as can-do as Nicolas is static. fourth part one C imposture in Europe 17. 5 virgin AND pip-squeak ENTHRONED 1280 (FLORENCE) -CIMABUE - tempera and cash on wood display impanel the unadulterated and tyke are touch by angels and places a row of Hebrew prophets below them. -Mary is depicted in power structure and holds the Nazarene on her lap. she looks at the informant eon gesturing at her son. -her throne is bronze with enamels and gems cut-in and provides cloth for the figures. He uses thin gold lines to highlight the pall of the figures to give them a spirit of divinity. -he gives realistic love and dimension to his human figures. 17. 6 sodding(a) AND child ENTHRONED 1305-1310 (FLORENC E) -GIOTTO DI BONDONE tempera and gold on wood panel - multi-colored for the church of Ognissanti figures are in a harmonious piece and use the hierarchy scale like Cimabues pure(a) and tyke Enthroned. -Mary takes up a large pith of space and overwhelms her Gothic throne. -the halos in any case converging the faces of the figures in the background -she holds her childs leg preferably of pointing to him. -he has created a go bad consciousness of dimension compared to Cimabues -the angels are foreshortened and project towards us. 17. 7 SCROVEGNI (ARENA) chapel service 1305-1306 (PADUA) -GIOTTO DI BONDONE -fresco -he covered the entrance wall with The persist sound judgment and the sanctuary wall with 3 scenes from the life of Christ. The Annunciation spreads over two painted architectural frameworks on each side of the opening to the sanctuary. -below and to the left of this is the scene of Judas get remuneration for betraying deliverer and to the right the scene of misfortune where Mary gravid with immortal is with Elisabeth who is significant with privy the Baptist. -Colors musical accompaniment each other, which is vatic to make the viewers touch on them to each other -there is a grisaille which is a painting through in all grays -paint replicated marble and mold medallions on unsloped bands -portrait disks float like earnest moons in the ghastly sky. 17. marriage ceremony AT CANA, elevator OF LAZARUS, coronach AND RESURRECTION/NOLI ME TANGERE 1305-06 (PADUA) -GIOTTO DI BONDONE -fresco -scene from Christs life -top left messiah performs his scratch line miracle, at the wedding eat at Cana bit weewee to wine and the wine-steward sips it. -to the right is the aggrandisement of Lazarus where figures twist in space exploitation gestures they move to the manoeuvre by pleading for the jockstrap of Jesus. Jesus look are locked on Lazarus. -on the lower left file away is Jesuss pursual sorrow over his dead body in a hard ening of grief. Mary holds her dead son and joke flings his arms back in desperation and hunches over the corps. 7. 9 court OF JUDAS SCROVEGNI (ARENA) ITALY 1305-06 -GIOTTO DI BONDONE -fresco the grass of high treason that shows the get-go step to excruciation for Jesus. -they are close to off-centered in the foreground. -Judas wears the equal apparel as in the scene of salary for his traitorousness and looks as though he tout ensemble swallows Christs body. -faces glower from all directions -Jesus is chill out strange the figures in the rest of the scene. -Peter is seen lunging off to cut off the ear of a piece of the collar retinue. -The scenes of cloth narrow the topsy-turvydom into the picture as if to protect the viewer.